by InTrieste
The third day of screenings at the prestigious Trieste Film Festival brought forth a captivating tribute to the iconic James Joyce and a retrospective spotlight on the most intriguing female perspectives in contemporary Germany.
Morning Exploration: “A EST DI CHI?”
Starting at 11:00 AM in the Sala Bobi Bazlen at Palazzo Gopcevich, the festival delved into the thought-provoking discussion “A EST DI CHI?” led by Eleonora Sacco and Angelo Zinna. The free-entry event pondered the relevance of discussing the post-Soviet space. Drawing inspiration from their podcasts “Cemento” (2019-2021) and “Kult” (2023), Sacco and Zinna shared insights from their travels in the former USSR, unraveling the complexities of old and new worlds beyond the Iron Curtain.
Midday Premiere: “KINO VOLTA”
Returning to Teatro Miela at 11:00 AM, attendees were treated to the out-of-competition premiere of the documentary “KINO VOLTA” by Martin Turk. Set in early 20th-century Trieste, the film delves into the establishment of Ireland’s first cinema, the Cinema Volta, by four entrepreneurs led by the enigmatic Dublin-based teacher, James Joyce. Two local actors, Danjiel Malalan and Nikla Petruška Panizon, breathe life into the characters and events of this historical adventure.
Afternoon Delight: “ULYSSES ÇEVIRMEK”
Joyce continued to take the spotlight at 2:00 PM with the Italian premiere of Aylin Kuryel and Firat Yücel’s “ULYSSES ÇEVIRMEK.” The documentary follows Kawa Nemir’s ambitious mission to translate James Joyce’s “Ulysses” into Kurdish, a language persecuted in Turkey. The film explores his journey from Turkey to Amsterdam, where he resides in Anne Frank’s former home, undertaking a literary endeavor deemed impossible.
Wild Roses Showcase: A Cinematic Journey Through German Exile and Turkish Intrigue
From 4:00 PM onwards, the focus shifted to the Wild Roses section, beginning with Maria Schrader’s “VOR DER MORGENRÖTE,” which narrates the exile years of German writer Stefan Zweig during World War II. This was followed by Ayşe Polat’s “IM TOTEN WINKEL,” a tale of a German documentary crew filming in a remote Turkish city, intertwining with the struggles of a Turkish surveillance agent and his haunted daughter.
The evening concluded at 10:00 PM with Nora Fingscheidt’s “SYSTEMSPRENGER,” an Italian premiere portraying the challenges faced by a 9-year-old girl deemed a “system anomaly.”
Noteworthy Encounter: “LE IMMAGINI DELLA GUERRA”
At 6:00 PM, Teatro Miela hosted a discussion on the intricate world of war photography. Renowned photojournalist Alessio Romenzi and educator Raoul Kirchmayr engaged in a dialogue moderated by journalist and writer Fabiana Martini. The session delved into the delicate balance between the duty of testimony and ethical considerations, offering valuable insights into the role of visual storytellers in conflict zones.
Must-Attend Side Events: AEST OF THE MOON, JOYCE’S TRIESTE, and CINEBRUNCH
For festival-goers seeking additional experiences, “A EST DELLA LUNA” invites an exclusive guided tour exploring Eastern European science fiction at the Bastione Fiorito of San Giusto Castle. Meanwhile, “LA TRIESTE DI JOYCE” offers a Sunday tour revealing James Joyce’s life in Trieste, and “TSFF DEI PICCOLI” provides a special cinema effects workshop for children.
In addition, film enthusiasts can indulge in the cinebrunch tradition at 040 Social food on Sunday from 9:00 AM to 12:00 PM, featuring classic specialties and new delights from Northeastern Europe.
For reservations and further information on events, contact prenotazionitsff@gmail.com. Trieste Film Festival continues to be a celebration of cinematic art and cultural exploration.
