by InTrieste
On Friday night, November 8, Trieste’s historic Teatro Verdi hosted an opening of La Traviata that will be remembered for both its timeless elegance and bold theatrical choices. In a city known for its dedication to the classics, the evening brought out politicians, entrepreneurs, and art enthusiasts, all dressed to the nines in silk gowns, pearls, and tuxedos.
The production, directed by French visionary Arnaud Bernard, pushed boundaries with unexpected flourishes, from passionate embraces to a modernized party scene, where drag queens added a layer of contemporary edge to Verdi’s masterpiece. Roberto Frontali’s Germont received an extended ovation, capturing audiences with his powerful portrayal. Antonio Poli as Alfredo won equal praise, bringing heartfelt energy and raw intensity to his role.
The staging was daring for its allusions to sexual intensity and social transgression, elements rarely explored so vividly in traditional opera settings. Yet, these choices added a dynamic quality to the production, blending Trieste’s historical reverence for opera with a fresh, innovative spirit. In true Triestine style, La Traviata was a grand celebration of classic art reimagined for a modern audience.
