Italian Filmmaker Paola Cortellesi’s There Is Still Tomorrow Joins the Oscar Race

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Photo credits MissClaire
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by InTrieste

Paola Cortellesi, a celebrated figure in Italian cinema, is making waves on the international stage. Her acclaimed feature film There Is Still Tomorrow (C’è ancora domani) has been officially admitted to the race for the Best Picture Oscar at the 97th Academy Awards. This marks a significant milestone for the Italian filmmaker, whose movie has garnered widespread praise for its compelling storytelling and box office success.

Among the 207 feature films eligible for the Best Picture category this year, There Is Still Tomorrow stands out as a testament to the power of international cinema. To qualify, films must meet the Academy’s strict criteria, which includes a minimum of seven days of theatrical screenings in North American cinemas during 2024, whether consecutive or not.

Cortellesi’s decision to focus on a strategic campaign in the U.S. appears to have paid off, bringing Italian cinema to the forefront of Hollywood’s prestigious awards season.

The journey to Oscar glory is far from over, however. Members of the Academy of Motion Picture Arts and Sciences will cast their votes for nominations from Thursday through Sunday. On January 17, the highly anticipated shortlist of five Best Picture nominees will be unveiled, setting the stage for the star-studded Academy Awards ceremony on March 2.

As the film industry awaits the announcement, There Is Still Tomorrow is a hopeful reminder of the enduring influence of Italian cinema and its ability to resonate with audiences worldwide. Should Cortellesi’s film secure a nomination, it would reinforce Italy’s rich legacy in Hollywood, following in the footsteps of iconic filmmakers such as Federico Fellini and Paolo Sorrentino.

For now, all eyes are on January 17, when the world will find out if Cortellesi’s cinematic triumph will join the illustrious ranks of Best Picture nominees.

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Edward Hunt
Edward is a defence consultant working independently for various companies and governments. He has lived in Trieste since 2017 after moving with his family from London. Currently he also writes articles for various aerospace industry magazines, works with flight simulator game developers and corrects erroneous opinions in the FT comments sections like a Boss.

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